豫章师范学院学报

宋代是诗歌与书画艺术相互交融、共同发展的时期，出现了大量题画诗。江西诗派是宋代影响力最大的诗歌流派，其宗主黄庭坚提出了“点铁成金”“无一字无来处”等诗学主张，后学吕本中、曾几等人在此基础上提倡“悟入”和“活法”,这些理论不仅成为指导江西诗学的主张，而且对诗派文人的绘画思想产生了重要影响，成为诗画融合发展的理论基础。江西诗派诗人的书画观念与诗学理论具有内在精神上的契合，以诗法入画法是其诗画思想互通的基础。

The Song Dynasty was a period of mutual integration and common development between poetry and calligraphy and painting art, with a large number of inscribed poems. The Jiangxi Poetry School was the most influential poetry school in the Song Dynasty. Its founder Huang Tingjian put forward poetic propositions such as "turning iron into gold" and "no word, no place". Later scholars such as Lv Benzhong and Zeng Ji advocated "enlightenment" and "living methods" on this basis. These theories not only became guiding principles for Jiangxi poetry, but also had an important impact on the painting ideas of literati in the poetry school, becoming the theoretical basis for the integration and development of poetry and painting. The painting and calligraphy concepts of Jiangxi Poetry School poets have an inherent spiritual connection with poetic theory, and the foundation of their poetry and painting ideas is the integration of poetic techniques into painting methods.